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Free for Commercial Use

Sans Superellipse Firoh 6 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Muller Next' by Fontfabric, 'Otoiwo Grotesk' by Pepper Type, 'Phonk Sans' by Slava Antipov, 'Jasan' by Storm Type Foundry, 'Radiate Sans' by Studio Sun, and 'Neuropolitical' by Typodermic (names referenced only for comparison).

Keywords: sports branding, headlines, posters, logos, gaming ui, sporty, futuristic, energetic, confident, techy, impact, speed, modernity, branding, display, rounded, oblique, extended, blocky, streamlined.


Free for commercial use
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This typeface uses heavy, extended shapes built from rounded-rectangle and superellipse-like forms, producing broad counters and smooth, softened corners. The strokes are consistently thick with minimal contrast, and the overall design is drawn on a pronounced forward slant. Many terminals are horizontally cut or slightly sheared, and several letters show angular notches or wedge-like joins (notably in diagonals such as K, V, W, X, Y), giving the set a fast, engineered rhythm. The lowercase is compact and sturdy with a large x-height and simple, single-storey constructions where applicable; numerals are wide and rounded with clear interior apertures and flattened horizontals that reinforce the italic flow.

This font performs best in display settings where its width and slanted momentum can be a feature: sports and motorsport identities, tech-forward headlines, gaming and esports graphics, packaging, and bold poster work. It is especially effective at large sizes for short phrases, wordmarks, and impact-driven titling where the rounded geometry and italic thrust remain clear.

The overall tone is high-impact and speed-oriented, combining soft, rounded geometry with aggressive oblique motion. It feels modern and performance-driven—more “track and tech” than neutral—suited to branding that wants to read as powerful, dynamic, and contemporary.

The design appears intended to deliver maximum visual impact while preserving rounded, friendly geometry, using an oblique stance and engineered cuts to suggest speed and modernity. Its widened proportions and simplified, open counters aim to keep shapes legible and cohesive under very heavy stroke weight in display applications.

The design leans on large interior spaces (especially in O/0 and 8) and generous width to keep counters open despite the extreme weight. Sheared horizontals and consistent rounding create a cohesive, aerodynamic texture across both uppercase and lowercase, while the wide stance can dominate in tight layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸