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Free for Commercial Use

Sans Normal Tyman 1 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Proza' by Bureau Roffa, 'Arzachel' by CAST, 'City Boys' and 'City Boys Soft' by Dharma Type, 'FF Advert' by FontFont, 'Mato Sans' by Picador, and 'Le Monde Sans Std' by Typofonderie (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, retro, punchy, impact, approachability, brand voice, display clarity, warmth, rounded, stout, soft corners, compact joins, open counters.


Free for commercial use
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A heavy, rounded sans with broad proportions and a sturdy, even rhythm. Strokes are thick and largely uniform, with softened joins and subtly tapered terminals that keep the forms from feeling purely geometric. Curves are generously bulged (notably in C, G, O, Q, and S), while straight-sided letters like E, F, H, and N hold firm, blocky silhouettes. Lowercase forms are simple and robust with clear, open apertures; the single-storey a and g reinforce the friendly, contemporary feel. Numerals follow the same stout construction, producing strong, high-contrast shapes at display sizes without relying on ornamentation.

This font performs best in headlines, posters, and large labels where its thick strokes and rounded shapes can deliver maximum impact. It also suits branding, packaging, and signage that benefits from a friendly, high-energy tone. In longer text, it’s most effective for short blocks, pull quotes, and emphasis where strong typographic color is desired.

The overall tone is upbeat and approachable, with a confident, poster-ready voice. Its rounded massing and soft corners read as friendly rather than severe, while the dense color on the page gives it a bold, assertive presence. The result feels slightly retro and informal, well-suited to energetic messaging.

The design appears intended to provide a bold, approachable display sans that balances geometric simplicity with softened, human-friendly shaping. It prioritizes strong legibility at larger sizes and a memorable, rounded silhouette for attention-grabbing communication.

The face maintains consistent weight and curvature across uppercase, lowercase, and figures, creating a cohesive texture in paragraphs and a strong silhouette in headlines. The Q’s diagonal tail and the curved stroke endings add character without becoming decorative, helping the font stay versatile for branding and packaging where warmth and impact need to coexist.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸