Sans Faceted Abmoy 3 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Geogrotesque Sharp' by Emtype Foundry, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'RBNo2.1' by René Bieder, 'Kurdis' by That That Creative, and 'Balbek Pro' by Valentino Vergan (names referenced only for comparison).
Keywords: headlines, posters, sports branding, signage, logos, industrial, athletic, assertive, utilitarian, retro, impact, space-saving, signage feel, industrial styling, uniform look, blocky, faceted, angular, compressed, stencil-like.
A compact, heavy sans with angular, chamfered corners that replace curves with flat facets. Strokes are broadly uniform, producing a dense, poster-ready color, while counters stay open enough to keep forms readable at display sizes. Proportions are condensed and vertical, with squared terminals and occasional clipped joins that give letters a machined, cut-from-plate look. Lowercase echoes the uppercase with simplified, sturdy structures and a high, robust x-height; numerals are similarly block-built with octagonal cues and tight inner spaces.
Best suited to short, high-impact settings like headlines, posters, sports identity, and bold signage where its condensed stance and faceted construction read as intentional style. It can also work for logos and wordmarks that benefit from a tough, engineered silhouette and a strong, uniform typographic color.
The overall tone is tough and workmanlike, evoking industrial signage and athletic uniform lettering. Its faceted cuts add a retro, engineered character that feels bold, no-nonsense, and built for impact rather than delicacy.
The design appears aimed at delivering maximum visual punch in a space-saving width, using chamfered facets to create a distinctive, industrial edge. Its consistent polygonal logic suggests an intention to mimic cut metal, stenciled plates, or uniform lettering while remaining broadly legible in display applications.
Diagonal and round-derived letters (such as those built from bowls and curves) are rendered through straight segments and corner cuts, creating a consistent polygonal rhythm across the set. The texture stays tight and compact, making the face feel strong in headlines while potentially crowding at very small sizes due to dense interiors.