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Free for Commercial Use

Sans Superellipse Hamog 2 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Another Grotesk' by Aleksandrs Golubovs, 'Salma Alfasans' by Alifinart Studio, 'Neufile Grotesk' by Halbfett, 'Alfabet' by Machalski, 'PF Encore Sans Pro' by Parachute, and 'Em One' by Type Forward (names referenced only for comparison).

Keywords: ui text, app branding, signage, headlines, packaging, clean, friendly, modern, neutral, utilitarian, clarity, modern branding, approachability, versatility, robustness, geometric, rounded, open counters, monoline, generous spacing.


Free for commercial use
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This typeface is a geometric sans with broadly rounded, superellipse-like curves and a steady, monoline stroke. Bowls and counters are open and smooth, with soft transitions at joins and minimal modulation. Proportions feel generously set and somewhat expansive, with round letters (O, C, G) reading wide and stable and straight-sided forms (E, F, H, I) staying crisp. Lowercase forms are straightforward and readable, with single-storey a and g and clear, circular dots on i and j; numerals are similarly simple and bold, with an open, curved 2 and a balanced 8.

It suits modern UI and product design where a clean, friendly sans is needed, and it scales well for headings due to its broad shapes and solid stroke. The open counters and simple lowercase also make it a practical choice for labels, wayfinding, and short-to-medium text in brand systems.

The overall tone is contemporary and approachable, combining a clean, functional rhythm with soft, rounded warmth. It reads confident and neutral rather than stylized, aiming for clarity and ease in everyday interface and branding contexts.

The design appears intended as a contemporary, broadly applicable sans that balances geometric order with softened, rounded terminals for approachability. Its restrained details and consistent construction suggest an emphasis on clarity, robustness, and a polished modern feel across display and interface usage.

Round forms keep a consistent, slightly squared-off softness that avoids sharp corners, helping the face feel gentle without becoming playful. The heavy black-on-white sample shows strong headline presence while maintaining clear inner spaces in dense text.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸