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Sans Normal Kulad 11 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Aspira' by Durotype, 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'Avenir Next Cyrillic' and 'Avenir Next Paneuropean' by Linotype, 'Camphor' by Monotype, 'Clear Sans Screen' and 'Clear Sans Text' by Positype, 'Almarose' by S&C Type, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, branding, posters, sports, packaging, dynamic, modern, sporty, confident, friendly, impact, motion, clarity, modern branding, display strength, slanted, rounded, geometric, clean, punchy.


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A slanted, heavy sans with rounded geometry and smooth, continuous curves. The letterforms show uniform stroke color with minimal contrast, broad counters, and softened terminals that keep the texture cohesive at display sizes. Uppercase shapes are compact and sturdy, while lowercase forms lean into simple, single-storey construction (notably in a and g) for a streamlined, contemporary rhythm. Figures are wide and open, with generous curves and stable baseline behavior that reads clearly in short strings and headlines.

This font is best suited to headlines, brand marks, and promotional typography where a strong, fast-looking voice is useful. It works well for sports and lifestyle identities, posters, packaging, and digital hero text, and can also serve for short emphatic UI labels where compact impact is needed.

The overall tone is energetic and forward-leaning, combining a modern, athletic feel with approachable rounded forms. Its strong weight and consistent curves communicate confidence and immediacy, making it feel suited to contemporary branding and attention-grabbing messaging.

The design appears intended to deliver a contemporary, high-impact italic sans that feels fast and assertive while remaining friendly through rounded construction. It prioritizes a clean, uniform texture and broad shapes for legibility and presence in display-oriented settings.

The italic angle is pronounced enough to add motion without becoming overly calligraphic, and the design stays visually consistent across capitals, lowercase, and numerals. The shapes favor clarity over ornament, with smooth joins and restrained detailing that keeps the silhouette clean.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸