Sans Normal Vemon 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Crossten Soft' by Emre Güven, 'Ghino' by Fontmachine, 'Crossten' by Horizon Type, 'Gogh' by Type Forward, and 'Glot Round' by Wordshape (names referenced only for comparison).
Keywords: ui text, branding, packaging, posters, social media, friendly, casual, approachable, contemporary, playful, approachability, readability, informal tone, modern utility, rounded, soft terminals, humanist, slanted, open counters.
A slanted sans with rounded, softly finished strokes and an even, low-contrast build. Curves are smooth and generously open, while straight strokes keep a slight hand-drawn elasticity rather than rigid geometry. The lowercase shows a single-storey a and g, a softly hooked r, and generally open apertures that keep letters from clogging at smaller sizes. Figures follow the same rounded, informal construction, with simple, readable shapes and gentle curves throughout.
This font fits well in product branding, packaging, and promotional graphics where a friendly, modern voice is needed. It can also work for UI labels, onboarding screens, and short-form editorial or marketing copy, especially when set with comfortable line spacing. It’s best suited to headlines and short paragraphs where its slanted rhythm supports emphasis and momentum.
The overall tone is warm and conversational, with a light, informal energy that reads as friendly rather than technical. Its rounded details and steady rhythm give it an approachable, everyday feel suitable for upbeat or welcoming messaging.
The design appears intended to deliver a modern italic sans that feels personable and easy to read, combining smooth rounded construction with clear counters for legibility. The consistent slant and soft terminals suggest a focus on approachable communication rather than strict neutrality.
The italic slant is consistent across capitals, lowercase, and numerals, producing a cohesive forward motion in text. Letterforms lean toward humanist proportions, with clear differentiation between similar shapes (e.g., I/J, O/0) aided by distinctive curves and terminals.