Sans Superellipse Ipho 6 is a very bold, very wide, medium contrast, italic, tall x-height font visually similar to 'PODIUM Sharp' by Machalski and 'PG Gothique' and 'PG Grotesque' by Paulo Goode (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, sporty, assertive, dynamic, modern, compact, impact, motion, promotional, clarity, display, rounded, slanted, blocky, heavy, tight.
A heavy, slanted sans with broad proportions and rounded-rectangle construction. Strokes are thick and fairly uniform, with softened corners and large, enclosed counters that keep forms readable at display sizes. The italics are strongly oblique, producing a forward-leaning rhythm; terminals are mostly blunt and sheared, reinforcing a cut, engineered feel. Spacing appears tight and the overall silhouette reads as chunky and compact despite the width, with simplified joins and sturdy geometry across letters and numerals.
Best suited to large-scale applications where impact and speed are desirable, such as headlines, posters, athletic branding, event graphics, and bold packaging callouts. It can also work for short UI labels or signage when a strong, condensed message is needed, but its weight and tight spacing make it less appropriate for long-form text.
The tone is energetic and forceful, with a sporty, performance-oriented attitude. Its bold, slanted shapes suggest motion and urgency, while the rounded geometry keeps the impact approachable rather than sharp or aggressive. Overall it communicates confidence, modernity, and a headline-first personality.
This design appears intended as a high-impact, forward-leaning display sans that combines rounded-rectangle geometry with a bold, promotional voice. The consistent soft corners and sturdy counters aim to preserve clarity while maximizing visual punch and momentum.
Round letters like O and 0 read as squarish ovals with generous counters, and curves are consistently flattened into superellipse-like forms. The lowercase maintains a tall, sturdy presence, and numerals share the same wide, italicized stance for a cohesive display voice.