Sans Superellipse Ipfe 3 is a very bold, wide, medium contrast, italic, tall x-height font visually similar to 'Local Radio JNL' by Jeff Levine (names referenced only for comparison).
Keywords: sports branding, headlines, posters, logos, packaging, sporty, assertive, dynamic, retro, high impact, speed emphasis, display clarity, brand presence, oblique, blocky, rounded corners, ink-trap cuts, tight apertures.
A heavy, forward-leaning sans with compact counters and rounded-rectangle construction that keeps curves taut and corners softly radiused. Strokes stay broadly uniform while terminals are sheared and squared off, giving the outlines a cut, aerodynamic feel. Many joins show small notches and triangular cut-ins that read like functional inktraps, helping the dense forms stay legible at display sizes. Uppercase shapes are broad and sturdy, while the lowercase is simplified and robust with short ascenders/descenders and single-storey forms; the numerals match the same blocky, slanted rhythm.
Best suited to display applications where its weight and slant can drive attention—sports identities, event posters, punchy headlines, and logo wordmarks. It can also work on packaging and promotional graphics where a compact, high-impact look is desired, especially when paired with simpler supporting text.
The overall tone is fast and muscular, projecting speed, impact, and competitive energy. Its rounded geometry prevents it from feeling harsh, but the aggressive slant and cut terminals keep it firmly in a high-intensity, action-forward register with a hint of retro display styling.
The design appears intended to deliver maximum punch with a streamlined, speed-driven silhouette. Its rounded-rectangle foundations and sheared terminals suggest a deliberate blend of friendliness and force, optimized for bold, condensed messaging and energetic branding.
Spacing appears tight and the inner shapes are intentionally small, so the face reads best when given room in layout (larger sizes or more leading). The consistent angle across letters and figures creates a strong directional line that works well for emphasis and motion cues.