Sans Other Fufo 1 is a very bold, wide, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, packaging, titles, art deco, retro, geometric, industrial, display, standout display, retro modernism, geometric styling, graphic texture, stencil-cut, modular, faceted, high-impact, sculptural.
This typeface is built from bold, geometric masses with frequent incisions and cut-ins that split strokes into distinct segments. Curves read as near-circular bowls and half-circles, while many joins and terminals resolve into sharp wedges or straight-edged notches, creating a modular, constructed feel. Counters are often reduced or partially opened by internal cuts, and several letters show deliberate vertical or diagonal breaks that resemble stencil bridges. Spacing and proportions are generous, giving the forms a blocky, poster-ready presence and a distinctly graphic rhythm in text.
Best suited for large sizes where the internal cuts and sculpted joins can be appreciated—such as posters, headlines, album or event titles, branding marks, and packaging. It can also work for short, punchy callouts in editorial layouts, but the stylization is likely too dominant for long-form reading.
The overall tone is confident and stylized, evoking early modernist signage and Art Deco-era geometry. Its sliced details add a mechanical, industrial edge, making it feel both retro and contemporary in a bold, design-forward way.
The design appears intended as a geometric display sans that merges solid, monolithic letterforms with purposeful incisions to create a distinctive, stencil-like signature. The goal seems to be high-impact typography with a retro-modern, architectural character that stands out immediately in branding and titling contexts.
The alphabet mixes circular and angular logic: rounded letters emphasize clean semicircles while diagonals (notably in V/W/X/Y) become dramatic triangular wedges with internal striping. The strong, repeated cut motif creates a consistent “carved” texture across lines, but also makes interior shapes less conventional, emphasizing visual impact over neutrality.