Sans Normal Jenid 11 is a bold, very wide, low contrast, italic, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'BD Megatoya' by Balibilly Design, 'Ansage' by Sudtipos, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, energetic, modern, confident, punchy, impact, motion, modernity, display, oblique, geometric, rounded, compact counters, brisk.
A heavy, oblique sans with broad proportions and smooth, rounded construction. Curves are built from simple circular/elliptical forms, paired with crisply cut terminals that often read as angled shears rather than fully rounded ends. Stroke thickness stays visually consistent, creating a sturdy, uniform color in text. Counters are relatively compact and the apertures are fairly closed, which reinforces a dense, forceful silhouette. Spacing and widths feel slightly uneven across characters, giving the set a lively, forward-driving rhythm rather than strictly mechanical regularity.
Best suited for headlines, posters, and bold brand statements where strong presence and a sense of speed are desirable. It works well for sports and lifestyle identities, product packaging, and short promotional copy, especially at medium-to-large sizes where its geometry and angled cuts remain clear.
The overall tone is assertive and kinetic, with a strong forward lean that suggests motion and momentum. Its wide stance and thick strokes project confidence and impact, landing in a contemporary, sporty register that feels suited to attention-grabbing messaging.
The design appears intended to deliver maximum impact with a dynamic, forward-leaning stance, combining rounded, geometric forms with sharp terminal cuts to keep the texture both friendly and aggressive. The slightly varied widths add character and movement, helping it stand out in display applications.
The numerals and uppercase forms maintain the same oblique energy and rounded geometry, keeping a consistent voice across display sizes. At larger settings the angled terminals and broad shapes read especially clean and graphic, while dense counters can make longer passages feel weighty.