Sans Superellipse Utkef 1 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'FX Ambasans' by Differentialtype, 'Logik' by Monotype, and 'Parsi' by Naghi Naghachian (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, packaging, futuristic, tech, industrial, sporty, confident, display impact, modernization, tech aesthetic, geometric consistency, branding voice, squared, rounded corners, extended, geometric, modular.
A heavy, extended sans with a squarish, superelliptical construction: many curves resolve into rounded-rectangle bowls and counters, and corners are consistently softened rather than sharp. Strokes are uniform and clean, with broad horizontal terminals and a compact internal rhythm that keeps letters feeling blocky and engineered. The uppercase forms are wide and stable, while the lowercase maintains a similar geometric logic with single‑storey a and g and simplified, squared joins. Figures follow the same rounded-rect geometry, with particularly boxy curves and sturdy, straight-sided structure.
Best suited to short, high-impact settings such as headlines, posters, product branding, and logo wordmarks where its wide proportions and squared-round geometry can read clearly. It can also work for UI titles, gaming/tech packaging, and sports or automotive-style graphics when set with generous spacing and used at display sizes.
The overall tone is modern and synthetic, evoking interfaces, machinery, and performance branding. Its wide stance and softened-square shapes communicate strength and control without feeling aggressive, giving it a sleek, contemporary “tech hardware” mood.
The font appears designed to deliver a contemporary, engineered look by translating traditional sans structures into a rounded-rectangle geometry. Its emphasis on width, uniform stroke weight, and consistent corner radii suggests a focus on strong display presence and a recognizable, technology-forward silhouette.
The design language is highly consistent across letters and numerals, emphasizing modular repetition of rounded corners and flattened curves. At larger sizes the distinctive superelliptical counters and wide proportions become a strong identifying feature.