Sans Normal Tygam 10 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Dean Gothic' by Blaze Type, 'Murs Gothic' by Kobuzan, 'PODIUM Sharp' by Machalski, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).
Keywords: posters, headlines, branding, sports, packaging, impactful, sporty, retro, loud, confident, attention, legibility, bold branding, display clarity, blocky, rounded, geometric, compact, high-contrast counters.
A heavy, expansive sans with broad proportions and generously weighted strokes that stay consistent across the alphabet. Letterforms favor rounded, geometric construction with smooth curves (notably in O, C, G, and S) balanced by squared-off terminals and sturdy horizontals. Counters are relatively tight in the boldest shapes (B, P, R, 8), while apertures remain readable in forms like C, S, and e. The lowercase is single-storey where applicable (a, g), with simple joins and minimal modulation, producing a dense, poster-ready texture. Numerals are large and bold with rounded bowls and clear silhouettes; the 1 is a simple vertical with a small flag, and 0 is a near-oval.
Best suited for high-impact display settings such as posters, large headlines, brand marks, sports and team-style graphics, packaging callouts, and promotional messaging. It can also work for short UI labels or signage when set with ample size and spacing to preserve counter clarity.
The overall tone is assertive and attention-grabbing, with a friendly geometric warmth that keeps it from feeling harsh. It reads as energetic and contemporary with a hint of vintage display sensibility—built to feel bold, direct, and uncomplicated.
The design appears intended to deliver maximum visual punch with clean, geometric letterforms that remain approachable. Its wide stance and sturdy construction prioritize immediacy and recognizability in bold, attention-oriented typography.
Spacing appears designed for large sizes: the heavy weight and broad set create strong word shapes, while the tight internal counters suggest avoiding very small text sizes. Curved letters maintain smooth, even rhythm, and diagonals (V, W, Y, Z) are thick and stable, reinforcing a solid, muscular presence.