Sans Superellipse Otdaz 2 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Netraly' by Din Studio, 'Cream Opera' by Factory738, 'FT Graphitum' by Foxys Forest Foundry, 'Conthey' by ROHH, and 'Ravane' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, sports branding, industrial, retro, assertive, compact, utilitarian, space saving, high impact, geometric system, signage clarity, condensed, blocky, rounded corners, closed apertures, high contrast in massing.
A condensed, heavy sans with a squared–round (superellipse) construction and consistently rounded outer corners. Strokes are uniformly thick, producing dense counters and tight apertures, while terminals read mostly blunt with subtle softening at joins. Curves resolve into rounded-rectangle bowls (notably in C, G, O, Q and lowercase o), giving the face a geometric, machined rhythm. The lowercase is compact with short ascenders/descenders relative to the body, and the numerals follow the same narrow, sturdy proportions for a highly uniform texture in lines of text.
Best suited to short, high-impact settings such as headlines, posters, signage, and packaging where compact width and strong mass help text stay bold at a distance. It can also work well for sports or industrial-flavored branding, labels, and UI callouts where a dense, condensed voice is desired.
The overall tone is tough and pragmatic, with a distinctly industrial and slightly retro display energy. Its condensed heft feels loud and efficient rather than delicate, suggesting signage, stamped lettering, and utilitarian branding.
The design appears aimed at delivering maximum impact in a narrow footprint through a geometric, rounded-rectangle skeleton and minimal stroke modulation. It prioritizes uniformity and punchy presence, creating a consistent, system-like look across uppercase, lowercase, and numerals.
Because counters are small and openings are tight, the face reads best when given a bit of size and breathing room; in longer text it can build a dark, compact color quickly. The rounded-square geometry stays consistent across letters and figures, reinforcing a strong, systematic identity.