Sans Superellipse Higok 11 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Entropia' by Slava Antipov (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logo marks, industrial, poster, assertive, retro, utilitarian, impact, space-saving, branding, legibility, condensed, blocky, rounded corners, high contrast (shape), vertical stress.
A condensed, heavy sans with squared-off, superellipse-like counters and rounded rectangle curves. Strokes are consistently thick, with minimal modulation, producing dense black shapes and strong vertical emphasis. Curves tend to terminate in flat, blunt ends, while bowls and apertures feel engineered from rounded rectangles rather than circles, giving letters a compact, mechanical rhythm. Spacing is tight by nature of the narrow proportions, and the overall texture reads as bold, continuous columns of black with small interior openings.
This font excels in short, high-impact settings such as posters, headlines, packaging fronts, and bold signage where its dense forms can deliver maximum contrast. It can also work for logo marks and wordmarks that benefit from a compact footprint and a strong vertical rhythm. For longer text, larger point sizes and generous line spacing help maintain clarity.
The tone is forceful and attention-grabbing, with an industrial, no-nonsense voice. Its compact geometry and blunt terminals evoke retro signage and functional labeling, while the rounded-rectangle construction keeps it friendly enough to avoid feeling sharp or aggressive. The overall impression is confident, impactful, and built for display.
The design appears intended to provide a compact, space-efficient display voice with a strong, engineered silhouette. By building round forms from rounded rectangles and keeping strokes uniformly heavy, it prioritizes bold presence, quick recognition, and a cohesive geometric texture across letters and numerals.
Uppercase and lowercase share the same compact, vertical posture, creating a uniform, poster-like color in text. Numerals match the same blocky construction, staying legible through simplified, sturdy shapes. The design relies on small counters and tight apertures, so it visually prefers larger sizes where interior space can breathe.