Sans Superellipse Ifza 3 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Tactic Round' and 'Tactic Sans' by Miller Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sports graphics, sporty, industrial, techy, assertive, playful, impact, modernity, robustness, distinctiveness, display clarity, rounded corners, blocky, compact counters, soft geometry, stencil-like cuts.
A heavy, block-based sans with rounded-rectangle (superellipse) construction and softened corners throughout. Strokes are monolinear and broad, producing compact internal counters and a strong, poster-like color on the page. Many letters use squared bowls and chamfered joins, with occasional inset cuts and notches that open apertures and add a slightly segmented, almost stencil-like feel (notably in several lowercase forms and some numerals). Overall proportions emphasize broad faces, short curves, and crisp horizontal terminals, keeping the texture dense and highly legible at display sizes.
Best suited to headlines and short statements where maximum impact is desired—posters, display typography, logos/wordmarks, packaging, and bold branding systems. It also fits sports, tech, and product graphics where sturdy, rounded industrial forms communicate strength and modernity.
The overall tone is loud, confident, and energetic, combining friendly rounded geometry with a tough, engineered presence. It reads as sporty and modern, with a subtle retro arcade/industrial edge created by the squared curves and small cut-ins. The result feels attention-grabbing and robust rather than delicate or formal.
The design appears intended to deliver a high-impact display sans built from superelliptical shapes, balancing friendliness (rounded corners) with a strong, engineered blockiness. The small internal cut-ins and compact counters suggest a goal of adding distinctive texture and memorability while preserving clear, simple silhouettes at large sizes.
Uppercase forms are especially solid and geometric, while the lowercase introduces more distinctive shapes (including single-storey a and g) that increase personality. Numerals follow the same rounded-rectangle logic with tight counters and clear silhouettes, suited to large-scale use where their blocky structure can shine.