Sans Superellipse Otlag 5 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'FF Mark' and 'FF Mark Paneuropean' by FontFont and 'Absolut Pro' by Ingo (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, industrial, retro, utilitarian, friendly, compact, space saving, high impact, signage clarity, geometric uniformity, rounded, squared, blocky, sturdy, soft corners.
A compact sans with heavy, even strokes and broadly rounded corners that steer many forms toward squarish, superellipse-like silhouettes. Curves are tightened and geometry-forward, with flat terminals and minimal contrast for a solid, uniform rhythm. Counters tend to be small and controlled, and several joins and diagonals are simplified for clarity at display sizes. Overall spacing reads tight but consistent, producing a dense, impactful texture in words and lines.
Best suited to headlines and short copy where a compact footprint and strong black presence are desirable. It should work well for posters, packaging panels, wayfinding and labeling, and logo wordmarks that benefit from a sturdy, rounded-rect geometry. In longer passages it will create a dense texture, so generous size or spacing will help maintain comfort.
The tone feels utilitarian and industrial, like labeling, equipment marks, or mid-century signage, but the softened corners keep it approachable rather than harsh. Its condensed build and blocky shapes give it a confident, no-nonsense presence that still reads friendly and modern.
The design appears intended to deliver maximum impact in minimal horizontal space while keeping a cohesive, geometric look. By combining firm, blocky construction with softened corners and simplified shapes, it aims for a durable display voice that remains legible and approachable.
Round letters such as O/Q lean toward rounded-rectangle construction, and the lowercase shows single-storey tendencies that reinforce the streamlined, sign-painting-inspired feel. Numerals match the same compact, squared-off construction, maintaining a consistent color across mixed text.