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Free for Commercial Use

Sans Superellipse Pimoy 8 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Tusker Grotesk' by Lewis McGuffie Type, 'Maildore' by Maulana Creative, and 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, sports, packaging, branding, poster, industrial, condensed, assertive, modern, space saving, maximum impact, display emphasis, graphic texture, monoline, blocky, rectilinear, rounded corners, tight spacing.


Free for commercial use
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This typeface is an extremely condensed, monoline sans with tall proportions and compact counters. Curves are built from rounded-rectangle geometry, giving C/G/O and numerals a superelliptical, squared-off softness rather than true circularity. Stems and bowls stay consistently heavy, with minimal modulation and crisp, flat terminals; joins are clean and mostly orthogonal. The lowercase is narrow with a tall x-height and short extenders, creating a dense, vertical rhythm, while punctuation and figures match the same tight, blocklike construction.

Best suited for headlines, posters, cover lines, and branding where space is limited but maximum impact is needed. It can work well on packaging and labels, as well as energetic editorial or sports-oriented graphics, especially when set with generous line spacing to keep dense forms from crowding.

The overall tone is forceful and attention-grabbing, with a compressed, architectural feel that reads as modern and industrial. Its dense texture and strong vertical emphasis convey urgency and impact, suited to bold statements rather than subtlety.

The design appears intended to deliver maximum visual weight in a slim footprint, using rounded-rectangular forms to keep the shapes friendly enough while remaining hard-hitting. The consistent stroke weight and compressed structure suggest a focus on bold display communication and strong typographic texture.

Several letters show intentionally constricted apertures and counters, which increases the solid, inky silhouette at display sizes. The uppercase and lowercase share a closely related skeleton, producing a uniform, stacked texture in longer lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸