Stencil Tise 5 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Annonce' by Canada Type, 'HD Colton' by HyperDeluxe, 'Manufacturer JNL' by Jeff Levine, and 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype (names referenced only for comparison).
Keywords: posters, headlines, sports branding, gaming ui, event promos, industrial, aggressive, sporty, tactical, futuristic, impact, motion, utility, branding, thematic display, slanted, blocky, angular, segmented, compressed counters.
A heavy, slanted display face built from broad, geometric strokes with squared terminals and a strongly forward-leaning stance. The letterforms are segmented by consistent stencil breaks that cut through stems, bowls, and crossbars, creating a high-energy rhythm and strong horizontal flashes of negative space. Counters are relatively tight and often interrupted, while curves (as in C, O, S) are simplified into sturdy, mechanical arcs. The lowercase echoes the uppercase with similarly compact apertures and a tall, assertive structure, producing a dense, high-impact texture in lines of text.
Best suited to large-scale applications where the stencil breaks read as a deliberate graphic feature: posters, punchy headlines, sports and esports identities, gaming or tech-themed visuals, and promotional materials. It can also work for short labels or navigation accents when strong personality and motion are desired over long-form comfort.
The overall tone feels industrial and tactical, with a fast, sporty slant that suggests motion and urgency. The stencil interruptions add a utilitarian, engineered character—more about impact and attitude than quiet readability—giving it a rugged, modern edge.
The design appears intended to merge a bold italic display structure with a clearly engineered stencil system, creating a compact, forceful wordshape that reads as fast, tough, and industrial. The goal is maximum visual impact and thematic atmosphere, especially in modern or tactical contexts.
The stencil cuts are a defining visual motif and appear intentionally placed to remain consistent across rounds and straights, helping maintain cohesion at larger sizes. Numerals follow the same segmented logic, with bold silhouettes that stay legible as shapes even when internal details are reduced.