Sans Superellipse Esgeb 5 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Innova' by Durotype, 'Altersan' by Eko Bimantara, 'Famiar' by Mans Greback, 'Interval Next' by Mostardesign, 'Bitner' and 'Nauman Neue' by The Northern Block, and 'Cormac' by Typedepot (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, packaging, dynamic, sporty, modern, confident, friendly, display impact, athletic tone, modern branding, high visibility, compact density, oblique, geometric, rounded, compact, sturdy.
A heavy, oblique sans with geometric construction and rounded, superellipse-like curves. Strokes are thick and even, with low contrast and clean, largely closed apertures that create a compact, sturdy texture. Terminals are smooth and softly squared rather than sharp, and curves are controlled and consistent across rounds like C, O, and G. The italic slant is pronounced, giving the forms forward momentum while maintaining stable, blocky proportions; figures are similarly robust and simplified for impact.
Best suited for headlines, branding marks, posters, and other display settings where an energetic, forward-leaning voice is desired. It can work well for sports and tech-adjacent identities, packaging callouts, and promotional graphics where strong presence and compact letterforms help hold attention.
The overall tone is energetic and assertive, with a contemporary, performance-oriented feel. Its rounded geometry keeps it approachable, while the strong weight and slant read as fast, active, and attention-grabbing.
The design appears intended to combine a modern geometric base with an athletic oblique stance, delivering maximum impact with a friendly, rounded finish. It prioritizes momentum, solidity, and a distinctive rounded-rectangle geometry for contemporary display typography.
The sample text shows dense word shapes with strong diagonal rhythm, making short lines and headings feel punchy. At larger sizes the smooth curvature and squared-round corners become a defining signature, while tight internal spaces can increase the perceived darkness in longer passages.