Sans Superellipse Habaj 1 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'EB Corp' by Eko Bimantara, 'Danos' by Katatrad, 'Prelo Pro' by Monotype, 'Interval Next' and 'Metronic Pro' by Mostardesign, 'Bitner' and 'Syke' by The Northern Block, and 'Bartosh' by jpFonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, sturdy, neutral, impact, clarity, approachability, modernity, systematic geometry, rounded, geometric, blocky, compact, high impact.
A heavy, geometric sans with rounded-rectangle (superellipse) construction and consistently softened corners. Strokes are thick and even, with broad curves and squared-off terminals that keep counters relatively compact. Proportions feel stable and slightly condensed in the round letters, while straight-sided forms stay firm and vertical; joins are clean and minimally modulated. The lowercase is sturdy and open enough for display sizes, with a simple single-storey “a” and a utilitarian “g,” and figures that read as solid, uniform blocks.
Best suited to headlines and short-form copy where its dense weight and rounded geometry can create strong visual presence. It works well for branding systems, packaging, signage, and UI moments that need bold labels or section headers, especially when a modern but approachable look is desired.
The overall tone is straightforward and contemporary, with a friendly softness coming from the rounded corners but an assertive voice from the heavy weight. It feels practical and no-nonsense rather than playful, projecting reliability and clarity with a modern, tech-adjacent edge.
The design appears intended to deliver maximum impact with a clean, geometric voice, balancing firmness with softened, rounded corners. Its superelliptical curves and uniform stroke treatment suggest a focus on contemporary display use and clear recognition at a distance.
Round letters (like O/C) lean toward squarish silhouettes, reinforcing the superelliptical theme. The “Q” uses a clear diagonal tail, and the numeral set appears designed for strong, poster-like legibility with simple, bold silhouettes.