Sans Superellipse Fyrey 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Akzidenz-Grotesk' and 'Akzidenz-Grotesk W1G' by Berthold, 'Display Board JNL' by Jeff Levine, 'Chandler Mountain' by Mega Type, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: sports branding, posters, headlines, logos, packaging, sporty, energetic, assertive, retro, mechanical, impact, speed, branding, display, slanted, rounded, compact, blocky, ink-trap-like.
A heavy, forward-slanted sans with rounded-rectangle construction and tightly controlled counters. Strokes are broadly uniform with softened corners and subtle pinched joins that read like small ink-trap cut-ins at tight interior corners. The overall silhouette feels compact and muscular, with wide, flat terminals and smoothly curving bowls that stay squared-off rather than purely circular. Spacing and letterfit appear dense, giving lines a continuous, streamlined rhythm.
Well-suited to sports and racing-inspired branding, bold editorial headlines, event posters, and punchy logo wordmarks. The dense, rounded forms also work effectively on packaging and merchandise where a strong, condensed line of text is needed to grab attention.
The tone is fast and forceful, suggesting speed, impact, and momentum. Its rounded, superelliptical geometry keeps the voice friendly enough to avoid harshness, while the extreme weight and slant push it toward a confident, performance-driven feel with a hint of vintage athletic styling.
Likely designed to deliver maximum impact with a sleek, aerodynamic slant while preserving legibility through rounded, squared-off forms and open-enough internal spaces. The geometry and dense rhythm suggest an intention toward display typography that feels engineered and fast.
Numerals and uppercase carry strong, poster-like presence with stable, blocky shapes; the lowercase maintains the same squared-round logic for consistency. The slant and dense fitting make it visually cohesive in headlines, but they also amplify texture, so it reads best when given breathing room and adequate size.