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Sans Normal Jeren 1 is a bold, very wide, low contrast, italic, normal x-height font visually similar to 'Helonik Extended' by Ckhans Fonts, 'Sztos' by Machalski, 'Britanica' by Monotype, 'Belle Sans' by Park Street Studio, 'RF Dewi' by Russian Fonts, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, ui labels, sporty, modern, assertive, technical, dynamic, impact, speed, modernization, clarity, branding, geometric, oblique, blocky, clean, compact.


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A heavy, oblique sans with broad proportions and a clean, geometric construction. Strokes are monolinear and crisply finished with mostly straight, squared terminals, while bowls and counters are drawn from simple circular/elliptical curves. The overall rhythm is open and steady, with rounded forms like O/0 staying generous inside, and diagonals (V, W, X, Y, Z) cutting sharply to emphasize forward motion. Lowercase follows the same simplified, sturdy logic, with single‑storey shapes where shown and minimal modulation, keeping texture dense and uniform in text.

Best suited to headlines, short subheads, and brand statements where a wide, slanted voice can convey momentum. It works well for sports and fitness identity, poster typography, packaging callouts, and UI/wayfinding labels that need strong, quick recognition. For longer reading, it will create a pronounced, dark typographic color, making it more effective in display-led layouts than in extended body text.

The tone is energetic and purposeful, reading as contemporary and performance-minded. Its forward slant and wide stance create a sense of speed and confidence, while the clean geometry keeps it feeling practical and engineered rather than expressive or decorative.

The design appears intended to deliver a fast, contemporary sans voice with strong impact and straightforward geometry. The consistent oblique stance and broad proportions suggest a focus on dynamic branding and display communication where immediacy and presence are prioritized.

Numerals and capitals share the same broad, stable silhouettes, giving headings a strong horizontal presence. The italic angle is consistent across the set, and the combination of large forms and simple counters maintains clarity at display sizes while producing a bold, compact color in paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸