Sans Superellipse Ipdy 2 is a very bold, very wide, medium contrast, italic, tall x-height font visually similar to 'Blak' by Extratype, 'JLS OverKill' by Fontry West, and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: sports branding, team jerseys, racing graphics, gaming titles, movie posters, sporty, aggressive, techy, energetic, futuristic, speed cue, impact display, industrial feel, logo use, competitive tone, oblique, blocky, rounded, compact, angular cuts.
A heavy, oblique sans with wide, superellipse-based counters and rounded-rectangle silhouettes. Strokes are monolinear overall, with subtle contrast emerging mainly from angled terminals and internal cut-ins rather than true thick–thin modulation. The forms are compact and tightly fitted, with squared-off joins, softened corners, and frequent diagonal shears that create a fast, forward-leaning rhythm. Apertures are relatively tight and the punctuation-like notches and chamfered cuts give many letters a machined, stencil-adjacent feel while keeping the overall shapes blunt and robust.
Best suited to large sizes where its tight apertures and internal cuts stay legible: sports identities, team marks, racing and motorsport graphics, esports and gaming titles, and bold poster or packaging headlines. It can also work for short UI/overlay labels or section headers when a forceful, kinetic voice is desired, but it’s less appropriate for long-form text.
The font reads as high-impact and performance-driven, combining a sporty “speed” slant with a tech-industrial edge. Its chunky, compressed details and aggressive angles project urgency and strength, making it feel suited to competitive, action-oriented branding rather than quiet editorial tone.
The design appears intended to deliver maximum impact and motion: a broad, superellipse skeleton pushed into an oblique stance, then sharpened with chamfers and cut-ins to suggest speed, machinery, and competitive energy. The consistent, blocky construction prioritizes logo-like solidity and immediate recognition in display contexts.
The numerals and capitals emphasize mass and stability, while lowercase maintains the same rigid, block-forward logic with minimal curvature beyond rounded corners. Spacing appears intentionally tight for headline density, and the angled terminals create strong directional flow across lines.