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Free for Commercial Use

Sans Normal Numoz 11 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'JAF Domus Titling' by Just Another Foundry, 'Gardner Sans' by Lewis McGuffie Type, 'Avenir Next Arabic' and 'Avenir Next World' by Linotype, and 'Klein' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, playful, friendly, chunky, punchy, retro, impact, approachability, display clarity, brand voice, rounded, soft corners, bulky, compact, quirky.


Free for commercial use
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A heavy, rounded sans with broad proportions and compact internal counters. Letterforms lean on simple geometric curves with subtly flattened joins and soft-cornered terminals, giving strokes a sturdy, cut-out feel. Curves are generous and circular in O/C/G, while straight-sided letters like E/F/L keep blunt, blocky endings; overall spacing reads tight and dense, emphasizing mass and solidity. Lowercase forms are simplified and hearty, with single-storey a and g, and short, thick arms and tails that maintain an even, poster-like rhythm.

Best suited to large-scale applications where bold shapes and friendly geometry can carry the message—headlines, posters, packaging, logos, and short signage. It can also work for brief UI labels or social graphics when strong emphasis and warmth are desired, but it is most effective in display sizes rather than long text.

The overall tone is upbeat and approachable, with a toy-like sturdiness that feels confident rather than delicate. Its chunky shapes and rounded geometry suggest a retro, pop-forward personality suited to cheerful messaging and high-impact statements.

Likely designed to deliver maximum impact with an approachable, rounded voice—combining geometric simplicity with thick, compact forms for highly legible display typography. The consistent, sturdy construction suggests an intention to be versatile across modern branding while nodding to classic, retro-leaning sans aesthetics.

The design favors strong silhouette over fine detail, so smaller sizes may feel compact due to the tight counters and dense color. Numerals follow the same bulbous, geometric logic, reading bold and attention-grabbing in display contexts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸