Font Hero

Free for Commercial Use

Sans Superellipse Olmin 2 is a bold, narrow, monoline, upright, tall x-height font visually similar to 'Diamante EF' by Elsner+Flake, 'Ft Thyson' by Fateh.Lab, 'Midsole' by Grype, 'Diamante Serial' by SoftMaker, 'TS Diamante' by TypeShop Collection, and 'Hurdle' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, branding, sports graphics, signage, techy, industrial, sporty, utilitarian, retro-futurist, compact impact, systematic geometry, display clarity, space saving, rounded corners, condensed, squared curves, stencil-like, high contrast counters.


Free for commercial use
Customize the font name

A condensed, heavy sans with a squared–rounded (superelliptical) construction and consistently softened corners. Strokes are largely uniform, producing solid, blocky silhouettes with generous vertical emphasis and compact sidebearings. Counters tend to be rectangular with rounded ends, and apertures are tight, giving the face a dense, engineered rhythm. Terminals are generally blunt and horizontal, with occasional angled joins in diagonals, keeping the overall texture crisp and mechanical.

Best suited to short, high-impact settings such as headlines, posters, packaging callouts, and brand marks that want a technical or athletic edge. It also fits signage, labels, and interface-style displays where compact width and strong forms help text hold its shape in constrained spaces.

The overall tone is technical and purposeful, with a contemporary industrial feel that also nods to retro sci‑fi and scoreboard aesthetics. Its compact, squared curves and heavy presence convey strength, efficiency, and a no-nonsense clarity.

The design appears intended to deliver a compact, high-density display voice built from rounded-rectangle geometry, balancing strict modularity with softened corners for approachability. It prioritizes a strong silhouette and consistent construction for bold typographic statements and systematic graphic applications.

The uppercase set reads especially rigid and modular, while the lowercase maintains the same squared geometry, reinforcing a unified system look. The numerals match the letterforms in width and corner treatment, supporting cohesive alphanumeric settings in labels and UI-like layouts. At smaller sizes the tight apertures and dense forms may benefit from slightly increased tracking to preserve interior clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸