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Free for Commercial Use

Sans Superellipse Otreg 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Gemsbuck Pro' by Studio Fat Cat, and 'Redzone' by VarsityType (names referenced only for comparison).

Keywords: headlines, posters, branding, logos, packaging, tech, industrial, sporty, futuristic, utilitarian, impact, modernization, robustness, geometric consistency, legibility, rounded corners, squared curves, compact, sturdy, high contrast-free.


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A heavy, monoline sans built from squared, superelliptical curves and crisp horizontal/vertical strokes. Corners are consistently rounded, producing rounded-rectangle counters in letters like O, D, and P, while diagonals (A, V, W, X) remain straight and geometric. Proportions are compact with a relatively low-to-moderate contrast-free rhythm and clear, blocky terminals; the lowercase is similarly engineered, with single-storey a and g and a narrow, functional look. Numerals follow the same squared-round logic, with enclosed shapes and flat-sided bowls that keep widths controlled and forms steady in text.

Best suited to display contexts where a firm, modern voice is needed—headlines, posters, branding marks, packaging, and product naming. It also works well for UI or signage-style labeling when a robust, geometric presence and quick recognition are more important than airy readability at very small sizes.

The tone is assertive and contemporary, with a technical, equipment-like feel. Its rounded-square geometry reads as modern and engineered rather than friendly, giving it a sporty, industrial confidence that suits bold messaging.

The design appears intended to deliver a bold, modern sans with rounded-square construction—balancing strict geometry with softened corners to feel contemporary, tough, and highly legible in short bursts.

Distinctive squared counters and softened corners create strong internal negative shapes that stay open at display sizes. The overall texture is dense and uniform, emphasizing solidity and impact over calligraphic nuance.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸