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Free for Commercial Use

Stencil Ukbu 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Lota Grotesque One' by Latinotype and 'Lota Grotesque' by Los Andes (names referenced only for comparison).

Keywords: posters, headlines, branding, sports, tech ui, tactical, industrial, futuristic, sporty, technical, create impact, signal utility, add motion, stencil identity, slanted, geometric, crisp, clean, angular.


Free for commercial use
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A slanted, sans-driven design with geometric construction and crisp, low-contrast strokes. Letterforms are cut with consistent stencil-style interruptions that read as deliberate bridges, including mid-stroke splits on rounds and horizontals, giving the shapes a segmented rhythm. Curves are smooth and circular where expected (notably in C/O/Q and numerals), while diagonals and terminals stay sharp and efficient. Overall spacing and proportions feel contemporary and utilitarian, with a compact, forward-leaning texture in text.

Best suited to display settings where the stencil cuts can be appreciated: posters, headlines, and brand marks that want a technical or tactical edge. It also fits sports and motorsport-style graphics, product packaging, and tech-forward interfaces where a brisk, engineered voice is appropriate.

The repeated breaks and forward slant create a sense of motion and engineered precision. It carries a tactical, industrial tone—confident and no-nonsense—while the clean geometry keeps it modern and slightly futuristic. The overall impression is energetic and purpose-built rather than decorative.

Likely designed to merge an italic, modern sans texture with unmistakable stencil breaks, producing a font that signals durability and function while still feeling fast and contemporary. The consistent segmentation suggests an intention to create strong visual identity at larger sizes and in high-impact typography.

The stencil bridges are prominent enough to be a defining visual feature, especially on rounded letters and numerals, and they remain consistent across the set. The italic angle and firm terminals contribute to a sporty cadence in words, and the figures match the letterforms’ segmented construction for a cohesive overall color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸