Sans Normal Vebun 12 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'BR Segma' by Brink, 'Rewalt' by NicolassFonts, 'Cogenta' and 'Cogenta Text' by SRS Type, and 'Causten' and 'Causten Round' by Trustha (names referenced only for comparison).
Keywords: ui text, branding, headlines, packaging, posters, modern, friendly, clean, informal, approachable, add motion, soft modernity, everyday legibility, friendly voice, rounded, humanist, oblique, soft terminals, open apertures.
A rounded, oblique sans with smooth, continuous curves and softly finished terminals. Strokes stay even and calm, with gentle modulation only from the slant and curve geometry rather than contrast. Capitals are simple and geometric-leaning, while the lowercase introduces a more human rhythm through open apertures and slightly varied character widths. Counters are generous and shapes like C, O, and S read as broadly circular, giving the face a cohesive, soft-edged texture in text.
This font suits UI and product surfaces where a friendly oblique sans can add motion and personality without sacrificing clarity. It performs well in branding, headlines, and short paragraphs, and works nicely for packaging, posters, and marketing copy where rounded forms and a clean slant support an upbeat, modern feel.
The overall tone is contemporary and approachable, with a mild italic energy that feels active without becoming aggressive. Rounded construction and open forms keep the voice friendly and conversational, suited to brands or interfaces aiming for warmth while staying crisp and modern.
The design appears intended to offer a clean, contemporary sans with a built-in sense of motion from a steady oblique angle, while keeping forms rounded and accessible. Its geometry and open counters suggest a focus on legibility and a warm, modern voice rather than sharp, technical precision.
The slant is consistent across letters and figures, and the numeral set follows the same rounded, oblique logic for a cohesive typographic color. Diacritics and extended glyph behavior are not shown, but the core Latin set in the samples suggests an emphasis on clarity and smooth reading at display-to-subhead sizes.