Sans Superellipse Osbut 13 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Amfibia' and 'Karibu' by ROHH, 'Neue Rational Condensed' by René Bieder, and 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, assertive, industrial, sporty, retro, punchy, space saving, high impact, branding, display clarity, blocky, condensed, rounded, compact, geometric.
A heavy, compact sans with squared-off, superellipse-inspired curves and large internal counters relative to its weight. Strokes are monolinear and bluntly terminated, producing crisp edges and a tightly packed rhythm. The overall silhouette leans condensed, with tall lowercase proportions and sturdy verticals; round letters (o, c, e) read as rounded rectangles rather than true circles. Numerals and capitals share the same dense, poster-ready presence, with simple, sturdy construction and minimal detailing.
Best suited to display typography: headlines, posters, storefront or wayfinding-style signage, and packaging where bold, compact letters need to hold attention. It can also work for logo wordmarks and sports/industrial branding systems that benefit from a sturdy, condensed voice. For long-form text, its dense weight and tight forms suggest using it sparingly as an accent or for short blocks.
The tone is loud and functional, balancing friendliness from the rounded corners with a tough, workmanlike mass. It feels energetic and slightly retro, like signage, athletic branding, or bold packaging where impact matters more than delicacy. The condensed heft gives it a confident, no-nonsense voice that reads as modern and utilitarian.
The design appears intended to deliver maximum impact in minimal horizontal space, using squared-round geometry to stay legible and cohesive at large sizes. Its simplified, monoline construction and blunt terminals prioritize clarity, consistency, and a strong typographic “stamp” for branding and display applications.
Curves stay disciplined and squarish throughout, creating consistent texture across lines of text. The spacing appears designed to keep the color even at display sizes, while the condensed fit supports tight headlines and stacked layouts. Diacritics and punctuation are not shown; the assessment is based on the visible A–Z, a–z, 0–9 and the sample paragraph.