Sans Superellipse Hogun 3 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Cantiga' by Isaco Type, 'JAF Bernini Sans' by Just Another Foundry, 'Frutiger Next Paneuropean' by Linotype, 'Corpid' by LucasFonts, and 'Core Sans N' and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, industrial, modern, punchy, friendly, impact, clarity, modernity, approachability, sturdiness, blocky, rounded, compact, sturdy, high-impact.
A heavy, compact sans with rounded-rectangle construction and softly squared curves throughout. Strokes are thick and consistent, with clean terminals and minimal modulation, producing a dense, poster-ready texture. Counters are relatively tight in letters like B, P, R, a, e, and g, while round glyphs (O, Q, 0) read as superelliptical rather than purely circular. The lowercase is sturdy and workmanlike, with a single-storey a and g, short ascenders, and a simple, squared-dot i/j that reinforces the geometric rhythm; numerals are similarly bold and blocky for strong alignment in display settings.
Best suited to short-to-medium display text where impact and legibility at a distance matter—headlines, posters, labels, and brand marks. It can also work for navigation and signage when set with generous tracking and adequate size to keep counters from filling in.
The overall tone is assertive and contemporary, combining a utilitarian solidity with approachable rounded corners. It feels built for attention—confident, direct, and slightly retro-industrial—without becoming decorative.
The design appears intended to deliver maximum visual presence using a geometric, rounded-rectangle skeleton: a no-nonsense display sans that stays friendly through softened corners while maintaining a strong industrial backbone.
The heavy weight and compact apertures create a strong color on the page, making spacing and line breaks feel tight and deliberate. Angular joins (notably in K, M, N, W, X, Y) contrast with the softened curves, giving the design a disciplined, engineered character.