Sans Faceted Asky 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Corner Deli' by Fenotype, 'Block Capitals' by K-Type, 'Hype vol 2' by Positype, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, apparel, packaging, athletic, industrial, rugged, authoritative, retro, impact, visibility, strength, signage, uniformity, angular, blocky, chamfered, compact, faceted corners.
The design is built from straight strokes and clipped, chamfered corners that replace most curves with planar facets. Strokes are consistently heavy and blocky, with compact internal counters and squared-off terminals that emphasize a carved, mechanical rhythm. Proportions are condensed and tightly set, with angular bowls (notably in letters like C, O, and S) and a generally vertical stance that keeps lines looking rigid and punchy. Numerals and capitals share the same faceted construction, giving the set a uniform, stamped look.
It suits headline and display use where bold shapes need to read quickly: sports branding, team apparel graphics, posters, packaging, and short, emphatic UI labels. The faceted construction and compressed proportions also work well for badges, wordmarks, and signage-style compositions where a hard-edged, engineered feel is desired. For longer text, it will be most effective at larger sizes where the compact counters have room to breathe.
This font projects a tough, no‑nonsense energy with a distinctly industrial and athletic edge. Its sharp corners and heavy mass feel assertive and utilitarian, reading as more rugged than refined. The overall tone suggests impact, authority, and a slightly retro, sport-signage attitude.
The letterforms appear designed to maximize visual impact through dense black shapes, simplified geometry, and consistent corner faceting. By minimizing curvature and keeping counters tight, the design favors a strong silhouette and a cohesive, machine-cut aesthetic across caps, lowercase, and numerals.
Lowercase forms largely echo the uppercase structure, maintaining the same angular vocabulary; dots and small details are kept simple and squared, reinforcing the stamped, sign-painter-meets-industrial cut impression. The sample text shows strong line presence and consistent color, especially in all-caps settings.