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Free for Commercial Use

Sans Normal Orbak 12 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'FF Transit' by FontFont, 'Breno Narrow' by Monotype, 'Interval Sans Pro' by Mostardesign, 'Belle Sans' by Park Street Studio, and 'Hedley New' by moretype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, ui labels, modern, friendly, confident, clean, approachable, clarity, impact, modern utility, brand presence, geometric, compact, rounded, sturdy, high legibility.


Free for commercial use
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A heavy, geometric sans with compact proportions and broad, even strokes. Curves are built from near-circular bowls with smooth joins, while terminals are mostly flat and cleanly cut. Counters are moderately open for the weight, and the overall rhythm is steady and dense, giving text a solid, blocky color without looking cramped. Numerals and capitals feel consistent and disciplined, with simple, straightforward construction and minimal quirks.

Best suited to headlines, short-form copy, and display settings where strong presence and quick readability are needed. It also fits brand systems, packaging, and UI labels or navigation where a robust, modern sans can carry emphasis and maintain clarity at moderate sizes.

The font reads as contemporary and pragmatic, with a friendly softness coming from rounded forms and generous curves. Its weight and compactness project confidence and clarity, making it feel assertive without becoming aggressive. Overall it carries a neutral, workhorse tone suited to modern interfaces and branded communications.

The design appears intended as a sturdy, modern geometric sans that delivers high impact and clear letterforms with minimal stylistic distraction. It prioritizes consistency and legibility while keeping a friendly, rounded character for versatile contemporary use.

In running text, the heavy stroke weight creates strong emphasis and a dark typographic texture, so generous line spacing helps maintain readability. Round letters like O and C feel especially smooth and geometric, while diagonals (e.g., A, V, W) stay crisp and stable, reinforcing a clean, engineered look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸