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Sans Normal Omdas 1 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Faculty' by Device; 'Neue Frutiger', 'Neue Frutiger Arabic', 'Neue Frutiger Georgian', 'Neue Frutiger Paneuropean', 'Neue Frutiger Thai', and 'Neue Frutiger Vietnamese' by Linotype; 'Taz' by LucasFonts; and 'Neue Frutiger World' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, contemporary, friendly, straightforward, industrial, high impact, modern clarity, brand emphasis, legibility, geometric, rounded, compact, sturdy, clean.


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A heavy, geometric sans with broad proportions and large, open counters. Strokes remain essentially monolinear, with rounded curves and squared-off terminals that keep forms crisp rather than soft. The overall rhythm is spacious and stable, with generous bowls on letters like B, P, and R, a near-circular O, and a clear two-storey-style a and single-storey g that maintain a pragmatic, contemporary feel. Numerals are robust and highly legible, matching the letterforms’ large apertures and simple construction.

Best suited to display-forward contexts such as headlines, posters, brand marks, packaging, and signage where bold shapes and open counters help maintain clarity at a distance. It can also work for short UI labels or navigation elements when a strong, modern emphasis is desired.

The tone is direct and confident, prioritizing clarity and impact over delicacy. Its geometry and solid weight convey a modern, no-nonsense voice that still reads approachable thanks to round forms and open counters.

The design appears intended to deliver high-impact, contemporary sans typography with dependable legibility. Its construction emphasizes simple geometric forms, consistent stroke weight, and wide set proportions to create a clear, assertive voice for modern communication.

At text sizes it maintains a strong “headline” presence, with consistent stroke color and minimal detailing. The cap set feels especially steady and architectural, while the lowercase keeps readability through clear differentiation (notably between i/l and rounded letters) and ample internal space.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸