Sans Superellipse Hukun 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Neusa Neu' by Inhouse Type, 'PODIUM Sharp' by Machalski, 'Amsi Grotesk' and 'Goudar HL' by Stawix, and 'Manual' and 'Palo' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, assertive, sporty, compact, utilitarian, impact, space saving, bold branding, rugged display, blocky, condensed, heavy, squared, rounded corners.
A heavy, condensed sans with squared, superellipse-style curves and consistently rounded corners. Strokes are thick and uniform, with tight interior counters and compact apertures that emphasize a solid, poster-like silhouette. The uppercase forms are tall and boxy with minimal modulation, while the lowercase keeps sturdy, simplified bowls and short extenders; punctuation and numerals follow the same chunky, squared-off construction.
Best suited to short, high-impact settings such as headlines, posters, signage, and sports or event graphics where bold compression helps fit more characters into limited width. It can also work for packaging and labels that need a sturdy, attention-grabbing typographic voice, while extended small text may feel dense due to the tight counters and compact forms.
The font projects a forceful, no-nonsense tone—compressed, loud, and built for impact. Its rounded-rectangle geometry adds a friendly softness to an otherwise tough, industrial voice, making it feel energetic and sports-adjacent rather than delicate or formal.
Likely designed to deliver maximum presence in a condensed footprint, pairing uniform, heavy strokes with rounded-rectangle construction for a modern, rugged display look. The goal appears to be strong legibility at large sizes and a consistent, industrial rhythm across letters and numbers.
The narrow set width and dense black shape create strong word blocks in lines of text, with spacing that reads efficient and compact. Round letters like O/Q stay squarish rather than truly circular, reinforcing the engineered, monolithic texture across headlines.