Sans Faceted Lyke 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Military Jr34' by Casloop Studio, and 'B52' by Komet & Flicker (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, wayfinding, industrial, retro tech, athletic, arcade, tactical, impact, geometric system, machine aesthetic, signage clarity, theme styling, octagonal, chamfered, angular, blocky, stencil-like.
A compact, blocky sans with strongly chamfered corners and faceted construction throughout, substituting curves with short diagonals and flat planes. Strokes are heavy and even, with squared terminals and crisp inside counters that often read as rectangular or octagonal. The rhythm is tight and geometric, with simplified joins and minimal modulation; round forms (O, C, G, 0) appear as angular rings, while diagonals (A, V, W, X) are steep and clean. Numerals follow the same polygonal logic, giving the set a consistent, mechanical texture in both display sizes and larger text settings.
Best suited to headlines and short-form display where its faceted geometry can read clearly and set a strong tone—such as sports branding, product packaging, event posters, and tech or industrial-themed graphics. It can also work for wayfinding or labeling systems when used at sizes that preserve its tight apertures and angular counters.
The overall tone is rugged and utilitarian, evoking industrial labeling, athletic uniforms, and retro digital/arcade aesthetics. Its sharp facets and compact proportions create a decisive, no-nonsense voice that feels engineered and task-focused rather than friendly or expressive.
The font appears designed to deliver a sturdy, high-impact voice using a consistent chamfered geometry, prioritizing bold silhouette recognition and a mechanical, constructed feel. The faceted treatment suggests an intent to reference hard materials and engineered forms while staying legible and systematic across letters and numerals.
The design maintains a disciplined system of repeated corner cuts and straight segments, which helps unify mixed-case text and numerals. Some lowercase forms lean toward simplified, sign-painter practicality (single-storey a, straightforward e), reinforcing the font’s functional, modular character.