Sans Superellipse Ogmar 4 is a bold, wide, monoline, upright, normal x-height, monospaced font visually similar to 'Arame' by DMTR.ORG, 'Neumonopolar' and 'Nue Archimoto' by Owl king project, and 'Reload' by Reserves (names referenced only for comparison).
Keywords: ui labels, code samples, signage, posters, packaging, techy, industrial, retro, utilitarian, game-like, grid alignment, technical voice, ui clarity, retro digital, squared, rounded, boxy, modular, geometric.
A compact, squared sans built from rounded-rectangle geometry with consistent, even stroke weight. Corners are heavily radiused and curves resolve into soft superellipse-like bowls, giving letters a blocky silhouette while avoiding sharp terminals. Counters tend to be rectangular with rounded corners, apertures are fairly closed, and joints are simplified for a modular, engineered feel. The overall rhythm is steady and grid-friendly, with uniform widths and minimal contrast that keeps texture even in longer lines.
Works well for interface labels, dashboards, and control-panel style graphics where a consistent, grid-aligned texture is beneficial. Its dense, sturdy shapes also suit posters, branding accents, and packaging that aims for a technical or retro-industrial tone, and it can serve in code-like or tabular settings where consistent character widths help alignment.
The font reads as technical and utilitarian, with a retro-digital flavor reminiscent of terminals, instrumentation, and arcade-era UI. Its rounded-square construction feels sturdy and pragmatic, projecting clarity and function over expressiveness.
Likely designed to deliver a highly regular, system-like voice by combining rounded-square construction with simplified, monoline letterforms. The emphasis appears to be on repeatable geometry, strong legibility in blocky shapes, and a cohesive, modular look across letters and numerals.
Distinctive forms include a slashed zero, a single-storey “a,” and a geometric, squared approach to bowls in letters like O/Q and numerals like 8/9. The rounded corners help soften dense text blocks, while the closed shapes and heavy mass give strong presence at display sizes.