Sans Superellipse Ibdim 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Faculty' by Device, 'Siro' by Dharma Type, 'Bega' by Indian Type Foundry, 'JAF Bernini Sans' by Just Another Foundry, 'Famiar' by Mans Greback, and 'Acto' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, friendly, industrial, sporty, playful, high impact, modern branding, geometric clarity, friendly strength, chunky, rounded, geometric, compact.
A heavy, geometric sans with rounded-rectangle (superellipse) construction and broad, even strokes. Curves are smooth and full, terminals are blunt, and counters are compact, producing solid black shapes with little internal whitespace. Proportions feel slightly condensed and sturdy, with straightforward, upright capitals and a robust lowercase that keeps clear, simplified forms. Numerals match the same chunky rhythm, reading as blocky and stable rather than delicate or refined.
Best suited to headlines, short statements, and large-scale typography where its chunky shapes and rounded geometry can read clearly and project personality. It fits branding, packaging, signage, and sports or streetwear-style graphics, and can work for UI callouts or labels when used with generous spacing.
The overall tone is confident and approachable, combining a friendly softness from the rounded forms with an assertive, utilitarian weight. It suggests contemporary, energetic branding—more “bold and practical” than elegant—while staying clean and straightforward.
Likely designed to deliver maximum presence with a clean, geometric voice—pairing rounded-rectangle construction with a no-nonsense stroke to create a modern, friendly display sans that stays legible and consistent across a wide set of basic glyphs.
The face relies on large masses and tight apertures, which boosts impact at display sizes but can make dense text feel heavy. Its consistent geometry and rounded corners give it a cohesive, modern texture across both uppercase and lowercase, with punctuation and dots rendered as sturdy squares rather than delicate points.