Sans Superellipse Abgaj 2 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Faculty' by Device; 'Futo Sans' by HB Font; 'Forza' by Hoefler & Co.; and 'Bitner', 'Byker', and 'Celdum' by The Northern Block (names referenced only for comparison).
Keywords: ui text, product design, signage, dashboards, headlines, modern, tech, clean, friendly, utilitarian, legibility, modernity, systematic, approachability, clarity, rounded, geometric, crisp, compact, stable.
A compact, geometric sans with rounded-rectangle (superellipse) bowls and softly eased corners throughout. Strokes are monolinear with squared terminals that feel slightly radiused rather than sharp, producing a crisp but approachable texture. Proportions lean toward a tall lowercase with sturdy, wide counters; curves on letters like C, G, O, and Q read as controlled and engineered, while diagonals (V, W, Y) stay straight and firm. Spacing appears even and pragmatic, creating a steady rhythm in both uppercase grids and paragraph text.
Well-suited to interface typography, app and web UI, dashboards, and modern product branding where clarity and a consistent geometric tone are priorities. It also performs well for short-to-medium passages and informational layouts, and can scale up for clean, contemporary headlines.
The overall tone is contemporary and functional with a subtle friendliness from the rounded geometry. It suggests product UI, wayfinding, and tech-forward branding—confident and precise without feeling cold. The uniform stroke and controlled curves give it a systematic, engineered character.
The design appears intended to blend high legibility with a distinctive superelliptical geometry, delivering a modern, system-like sans that feels friendly rather than sterile. Its consistent stroke, stable proportions, and rounded-rectangle construction point to a typeface built for contemporary digital and environmental communication.
Distinctive superelliptical rounds and slightly softened corners help the font hold up at larger sizes while remaining orderly in text. Numerals are clear and straightforward, matching the same squared-round construction for a cohesive alphanumeric voice.