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Free for Commercial Use

Sans Superellipse Olkog 5 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Otoiwo Grotesk' by Pepper Type, 'Manifest' by Yasin Yalcin, and 'Althawra Fikra' by syria arabic (names referenced only for comparison).

Keywords: ui labels, signage, headlines, packaging, brand systems, modern, utilitarian, friendly, technical, minimal, clarity, compactness, approachability, systemization, durability, rounded, compact, monolinear, closed apertures, rectilinear curves.


Free for commercial use
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This typeface is a compact sans with monolinear strokes and a distinctly rounded-rectangle construction. Curves resolve into soft corners rather than true circles, giving counters and bowls a squared-off, superelliptical feel. Terminals are generally blunt and clean, with minimal modulation and a steady rhythm that keeps word shapes tight and controlled. The lowercase shows sturdy, simplified forms with relatively closed apertures and rounded joins, while uppercase letters maintain an even, engineered presence with consistent stroke weight and restrained detailing.

It suits interface text and labels where compactness and strong shape recognition are helpful, as well as wayfinding and functional signage that benefits from a steady, high-ink rhythm. The solid, rounded-rect look also works well for bold headlines, packaging callouts, and contemporary brand systems that want a clean but approachable voice.

The overall tone reads modern and practical, with a friendly edge created by the softened corners. It feels straightforward and technical rather than expressive, projecting clarity and efficiency while avoiding sharpness or aggression.

The design appears intended to deliver a robust, space-efficient sans for modern environments, emphasizing consistent stroke weight and a softened rectangular geometry for warmth without sacrificing a structured, technical feel.

Spacing appears economical and the dense color can build strong presence in short lines. The rounded-rect geometry is especially noticeable in letters with bowls and in numerals, which reinforces a coherent, system-like visual language across the set.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸