Sans Normal Lobiv 3 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Croih' by 38-lineart, '1955' and 'Jarvis' by Alan Smithee Studio, 'Afical' by Formatype Foundry, 'Gotham' by Hoefler & Co., 'JT Marnie' by JAM Type Design, 'Adequate' by K-Type, and 'Inovasi' and 'Nova Pro' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, sporty, assertive, modern, dynamic, loud, impact, speed, attention, bold branding, display clarity, slanted, chunky, rounded, compact, punchy.
A heavy, slanted sans with broad proportions and rounded, soft corners. Strokes are uniformly thick with minimal modulation, producing dense black shapes and strong color on the page. Counters are generally open and oval, while terminals are blunt and slightly rounded, giving curves a smooth, inflated feel. The overall rhythm is forward-leaning and energetic, with compact interior spacing and stable, geometric construction.
Works best for short, bold statements such as headlines, posters, sports branding, and punchy packaging callouts. It can also serve for logotypes and campaign graphics where a forward-leaning, high-energy voice is desirable, especially at medium to large sizes.
The tone is energetic and high-impact, reading as sporty and promotional with a confident, contemporary attitude. Its aggressive slant and dense weight create a sense of speed and urgency, suited to attention-grabbing messaging rather than quiet neutrality.
Likely designed to deliver maximum impact with a fast, athletic slant and rounded, geometric forms that stay friendly while still feeling forceful. The emphasis appears to be on strong silhouettes, consistent thickness, and high visibility in display typography.
The numeral set follows the same bold, rounded logic, with easily distinguishable shapes and strong silhouette contrast in context. In the sample text, the tight apertures and heavy joins make it feel powerful at display sizes, while the slant emphasizes motion and directionality.