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Sans Normal Nanon 5 is a very bold, very wide, medium contrast, upright, tall x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'FF Bau' by FontFont, and 'Gunterz' by Locomotype (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, signage, assertive, sporty, industrial, retro, maximum impact, strong branding, display emphasis, bold readability, compact apertures, soft corners, blocky, high impact, tight spacing.


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A heavy, tightly packed sans with broad proportions and rounded, engineered curves. Strokes are uniformly strong with compact counters and relatively closed apertures, giving the letters a dense, ink-trap-free silhouette. The design mixes straight-sided construction with softened corners and generous curves, producing sturdy shapes that stay cohesive at large sizes. Numerals and lowercase share the same punchy, compressed interior spaces, maintaining a consistent dark texture across lines of text.

Best suited to headlines, posters, bold branding marks, and attention-grabbing signage where a dense, powerful texture is an advantage. It also fits sports and industrial-themed graphics, packaging callouts, and large-format typographic statements where the compact counters and heavy weight help maintain authority.

The overall tone is loud and confident, projecting strength and momentum. Its dense forms and wide stance read as sporty and industrial, with a subtle retro-display feel reminiscent of bold packaging and signage. The rounded joins keep it friendly enough to avoid harshness while still feeling forceful and attention-seeking.

The design appears intended to maximize impact and solidity, delivering a strong silhouette and consistent black density for display use. Its softened geometry suggests a goal of combining toughness with approachability, creating a bold voice that remains smooth and modern in feel.

Round letters like O and Q appear especially solid due to small interior counters, and the lowercase maintains a strong, headline-first presence rather than a delicate text rhythm. The shapes favor immediate recognizability and impact over openness, making the texture feel intentionally compact and emphatic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸