Distressed Nibog 2 is a bold, narrow, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, packaging, book covers, vintage, western, rugged, noir, handmade, aged print, poster impact, frontier mood, analog texture, tactile tone, slab serif, woodtype, rough edges, ink bleed, worn print.
A compact slab-serif design with heavy strokes and a slightly condensed stance. Letterforms show irregular, distressed contours with blunted corners, uneven edges, and occasional interior nicks that mimic worn metal type or rough letterpress ink spread. Serifs are blocky and bracketed-to-minimally-bracketed in feel, with short, sturdy terminals and a generally vertical stress. The texture is consistent across uppercase, lowercase, and figures, with lumpy curves and subtly inconsistent stroke boundaries that create a printed, weathered rhythm rather than a clean outline.
Best suited to display applications where texture is an asset: poster headlines, title cards, product labels, and branding marks that want an aged or hand-printed impression. It can also work for short editorial callouts or chapter openers where a rugged, period-leaning tone is desired, but the heavy distress suggests avoiding long passages at small sizes.
The font projects a gritty, old-world character—part frontier poster, part saloon placard, with a cinematic, pulp-like darkness. Its roughness reads as intentional and tactile, suggesting age, friction, and analog production rather than digital precision.
The design appears intended to recreate the feel of vintage slab-serif display type that has been repeatedly printed, worn down, or imperfectly inked. Its consistent distress and sturdy proportions prioritize atmosphere and materiality over pristine legibility, aiming for an instantly recognizable, timeworn display voice.
The uppercase has strong presence and poster energy, while the lowercase retains the same distressed voice, keeping mixed-case settings cohesive. Numerals follow the same worn, heavy treatment, reinforcing a unified “stamped” or “pressed” look in headings and short bursts of text.