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Free for Commercial Use

Sans Normal Lomod 11 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'ATC Arquette' by Avondale Type Co. and 'Nexa' by Fontfabric (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, social ads, sporty, punchy, confident, energetic, modern, impact, speed, modernity, brand presence, headline strength, oblique, rounded, geometric, compact spacing, soft corners.


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A heavy, oblique sans with rounded, geometric construction and smooth, low-friction curves. Letterforms are broad and sturdy with uniform stroke weight, minimal modulation, and generous, simplified counters. The rhythm is forward-leaning and compact, with tight internal shapes and blunt terminals that keep silhouettes clean at display sizes. Numerals and capitals follow the same robust, streamlined logic, maintaining consistent weight and a cohesive slanted texture across lines.

Best suited to display contexts where impact matters: headlines, posters, promotional graphics, sports or fitness branding, and bold packaging callouts. It also works well for logos and wordmarks that benefit from a fast, slanted stance and rounded geometry, especially when used with ample white space.

The overall tone is assertive and high-energy, with an athletic, headline-ready presence. Its strong mass and forward slant feel fast and promotional, while the rounded geometry keeps it approachable rather than harsh. The result reads as contemporary and confident—more “action” than “editorial.”

This design appears intended to deliver maximum punch with a streamlined, modern sans structure, using a pronounced slant and rounded geometry to suggest speed and confidence. The consistent weight and simplified interior spaces prioritize strong silhouettes and immediate readability in large-scale applications.

In the sample text, the dense color and consistent slant create a solid typographic block that favors short, emphatic phrases over long passages. Round letters like O/Q and lowercases like a/e/s remain open enough for quick recognition, but the overall heft can reduce breathing room in small sizes, making spacing and line length important in layout.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸