Sans Superellipse Ollus 9 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'FF Good' and 'FF Good Headline' by FontFont (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, industrial, poster, assertive, condensed, retro, space-saving, impact, clarity, headline use, blocky, compact, rounded corners, uniform strokes, closed apertures.
A compact, heavy sans with tightly set proportions and a strong vertical stance. Strokes are consistently thick with minimal modulation, and corners are subtly rounded, giving the outlines a softened rectangular/superelliptical feel rather than geometric circles. Counters are relatively small and apertures tend toward the closed side, creating dense, ink-trap-free silhouettes that read as solid blocks. The overall rhythm is tight and columnar, with short joins and simplified terminals that keep the forms crisp at display sizes.
Best suited to headlines, posters, signage, and packaging where a condensed, high-impact voice is needed. It can also work for branding and labels that benefit from a compact footprint and strong typographic color, especially when given generous tracking or used at larger sizes.
The tone is forceful and utilitarian, with an industrial, no-nonsense presence. Its condensed massing and squared-yet-softened curves evoke vintage headline typography—confident, workmanlike, and built to grab attention. The texture feels bold and compact, leaning more toward impact than delicacy.
The design appears intended to deliver maximum impact in minimal horizontal space, using simplified, low-modulation construction and softened rectangular curves to stay bold without feeling sharp. The consistent stroke weight and compact counters suggest a focus on punchy display typography that remains stable across large-scale applications.
In running text the dense counters and closed apertures can cause letters to bunch visually, especially in combinations like rn/nn and in rounded forms. The numerals and capitals maintain the same compact, block-first logic, supporting strong typographic color in short bursts of copy.