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Free for Commercial Use

Sans Normal Osdoh 22 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'AC Texto' and 'AC Texto Pro' by Antoine Crama, 'Preto Sans' and 'Preto Sans OT Std' by DizajnDesign, 'Whitney' by Hoefler & Co., 'Engrez' by Indian Type Foundry, 'Belle Sans' by Park Street Studio, and 'NuOrder' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, friendly, playful, poster, retro, impact, approachability, display, clarity, rounded, chunky, compact, soft, bouncy.


Free for commercial use
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A heavy, rounded sans with smooth, continuous curves and mostly uniform stroke weight. Counters are relatively small and apertures tend to be tight, giving letters a compact, ink-rich silhouette. Terminals are softened rather than sharply cut, and several joins show gentle pinching that adds a slightly bouncy rhythm. Overall proportions feel sturdy and stable, with clear, simple construction across capitals, lowercase, and numerals.

This font works best where strong presence is needed: headlines, posters, packaging, and bold brand marks. It also suits short UI labels or signage when a friendly, high-impact voice is desired, especially at medium-to-large sizes where the rounded shapes and compact counters remain clear.

The tone is confident and approachable, leaning toward a cheerful, slightly retro display feel. Its chunky mass and softened shapes read as friendly rather than severe, making it well suited to energetic, attention-grabbing typography.

The design appears intended to deliver maximum visual weight with a soft, approachable character. By combining rounded geometry, tight counters, and consistent stroke strength, it aims to be a versatile display sans that feels energetic and contemporary with a nod to retro bold typography.

The lowercase shows a single-storey ‘a’ and ‘g’ with rounded bowls, contributing to an informal voice. Numerals are bold and compact, with curved figures that visually match the letterforms. At larger sizes the tight counters and dense color create strong impact; at smaller sizes it may feel dark due to the compact interiors.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸