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Free for Commercial Use

Sans Normal Lamif 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Mustica Pro' by Alifinart Studio, 'Dexperdy' and 'Normaliq' by Differentialtype, 'Passenger Sans' by Indian Type Foundry, 'JHC Sineas' by Jehoo Creative, 'Moneis' by RantauType, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, confident, energetic, modern, friendly, impact, motion, modernity, clarity, attention, oblique, rounded, geometric, compact, heavy.


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A heavy, oblique sans with rounded, geometric construction and largely uniform stroke thickness. Curves are full and smooth, while terminals are mostly blunt with gently softened corners, producing a sturdy, compact silhouette. Counters are relatively tight in letters like B, P, and R, and the bowls of C, G, O, and Q read as clean, near-circular forms. The slant is consistent across capitals, lowercase, and numerals, with a forward-leaning rhythm and slightly condensed, punchy proportions that keep the texture dense in text.

This font performs best in headlines and short, high-impact lines where its weight and slant can carry the composition. It suits branding systems that need a modern, energetic voice, especially for sports, fitness, entertainment, or youth-oriented packaging. It can work for subheads and callouts, but long passages may feel dense due to the heavy color and tight counters.

The overall tone feels sporty and assertive, with a contemporary, no-nonsense energy. Its rounded geometry keeps it approachable rather than aggressive, making it feel upbeat and confident. The steady slant adds momentum, lending a sense of movement and speed.

The design appears intended as a bold, forward-leaning sans for emphatic display typography—combining geometric roundness with a consistent oblique angle to convey motion, confidence, and contemporary clarity.

Uppercase forms are bold and simplified, with clear, open apertures in letters like S and G, helping shapes stay recognizable at display sizes. Lowercase maintains a straightforward, single-storey feel in key forms such as a and g, and numerals are thick and highly graphic, suited to headline use where strong shapes matter most.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸