Sans Normal Peroy 5 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'FF Signa' and 'FF Signa Round' by FontFont, 'København C' and 'København CS' by Fontpartners, 'Gltp Starion' by Glowtype, 'Anele Pro' by Ole Sondergaard, and 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, logos, friendly, playful, chunky, cheerful, retro, impact, approachability, display clarity, brand warmth, rounded, soft-cornered, sturdy, bouncy, compact counters.
A heavy, rounded sans with broad proportions and a soft, cushiony outline. Strokes are uniform and bluntly terminated, with subtly squared corners that keep curves from feeling overly bubbly. Counters are compact and apertures tend toward closed, giving the face a dense, punchy color in text. The uppercase is blocky and stable, while the lowercase shows single‑storey forms and simplified constructions that reinforce an informal, display-oriented rhythm. Numerals match the letterforms with similarly weighty, rounded geometry.
Best suited to large-scale applications where impact and friendliness are desired, such as headlines, posters, brand marks, packaging, and social graphics. It can work for short UI labels or signage when generous sizing and spacing are available, but longer text will benefit from extra tracking due to the compact counters.
The overall tone is approachable and high-energy, with a toy-like sturdiness that reads as upbeat rather than technical. Its chunky shapes and soft corners suggest a casual, friendly voice with a mild retro feel, suitable for attention-grabbing statements.
The design appears intended to deliver maximum visual presence with a soft, approachable character. Its simplified, rounded construction prioritizes immediacy and legibility in display contexts, aiming for a confident, playful voice rather than a formal editorial one.
The tight internal spaces and strong massing can make small sizes feel crowded, but it produces a bold, consistent texture at larger sizes. Wide forms and short joins create a bouncy cadence, especially in mixed-case settings.