Sans Normal Bulah 4 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Crique Grotesk' by Stawix, 'Arbeit Pro' and 'Few Grotesk' by Studio Few, and 'Itoya' by The Northern Block (names referenced only for comparison).
Keywords: ui design, body text, editorial, wayfinding, presentations, modern, neutral, clean, friendly, technical, versatility, legibility, modernization, systematic tone, geometric, monoline, open apertures, rounded terminals, high legibility.
This typeface presents a clean, monoline sans with predominantly geometric construction. Curves are smooth and near-circular (notably in O, C, and G), while straight strokes meet with crisp, minimally rounded joins. Proportions feel balanced and consistent across the alphabet, with clear counters and open apertures that keep forms readable at text sizes. The lowercase shows a straightforward, contemporary structure with a single-storey a and g, a compact, functional t, and an overall even rhythm. Numerals follow the same understated geometry, maintaining uniform stroke color and tidy spacing.
It suits interface typography and product design where clarity and predictable letterforms are important, and it performs well in body copy due to its open counters and steady rhythm. It can also serve editorial layouts, presentation decks, and signage/wayfinding systems that benefit from a clean, contemporary sans with strong legibility.
The overall tone is modern and neutral, with a calm, dependable presence that feels quietly contemporary rather than expressive. Its restrained geometry and even texture read as clean and professional, while the rounded forms add a mild friendliness without becoming playful.
The design appears intended as a general-purpose sans focused on clarity, consistency, and contemporary geometric simplicity. It prioritizes a stable text texture and familiar shapes to remain versatile across both short labels and longer reading.
The set maintains a consistent stroke color across mixed case and numerals, producing an even typographic gray in paragraph settings. The design favors clarity over idiosyncrasy, with recognizable letterforms and minimal stylistic quirks, making it feel well-suited to systematic layouts.