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Serif Flared Peva 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Meta Headline' by FontFont, 'Gotham' and 'Whitney' by Hoefler & Co., 'Akwe Pro' by ROHH, and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: posters, headlines, packaging, brand marks, book covers, vintage, confident, warm, playful, posterish, impactful display, retro signage, bold branding, title setting, flared terminals, soft corners, bracketed serifs, compact counters, high impact.


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A heavy, display-oriented serif with flared stroke endings and compact interior counters. The letterforms are upright with rounded joins and subtly tapered strokes that swell into broad, bracketed serif-like terminals, giving the black shapes a sculpted, ink-trap-free solidity. Proportions lean slightly condensed in feel, with sturdy verticals, short extenders, and a tight rhythm that keeps words dense and punchy. Curves are full and smooth (not sharp), and the numerals match the same chunky, uniform-weight construction for consistent color in headlines.

This font is well suited to posters, headlines, and short bursts of copy where high impact is the priority. It also works well for packaging, editorial cover lines, and branding that wants a bold, nostalgic voice. For longer passages, using larger point sizes and looser spacing will help maintain clarity.

The overall tone is bold and attention-grabbing with a friendly, vintage flavor. Its flared, carved-looking endings add a classic sign-painting and old poster sensibility, while the rounded shapes keep it approachable rather than formal. The texture reads assertive and energetic, suited to expressive statements.

The design appears intended to deliver maximum presence with a characterful serif voice, using flared terminals and broad forms to evoke traditional display typography and signage. Its compact counters and dense rhythm suggest it was drawn for titles and branding applications where strong silhouettes and a memorable texture matter most.

At text sizes the tight apertures and small counters can fill in, so it performs best when given room—larger sizes, generous tracking, and strong contrast against the background. The pronounced terminals and heavy weight create a distinctive word shape that stands out in short phrases and titles.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸