Sans Superellipse Jeno 9 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Siro' by Dharma Type, 'Hargloves Sans' by Heypentype, 'MVB Embarcadero' by MVB, 'Interval Sans Pro' by Mostardesign, and 'Antona' by exljbris (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, social ads, friendly, sturdy, playful, modern, chunky, impact, approachability, modern branding, display clarity, geometric unity, soft corners, geometric, compact apertures, blocky, rounded terminals.
A heavy, geometric sans with broad proportions and rounded-rectangle construction throughout. Strokes are consistently thick with minimal modulation, and corners are softened into generous radii that keep the shapes from feeling harsh. Counters tend to be compact and squarish, and apertures are relatively tight, emphasizing dense, punchy silhouettes. The lowercase features a tall x-height with short extenders, reinforcing an assertive, headline-oriented texture. Numerals follow the same superelliptical logic, with sturdy, block-like forms and softened corners for continuity.
Best suited for short-to-medium setting sizes where its dense counters and heavy strokes read as intentional impact—headlines, posters, branding marks, and packaging callouts. It can also work for UI banners or social graphics where a friendly but forceful voice is needed, while extended body copy may feel visually dense due to the tight apertures.
The overall tone is confident and approachable—bold enough to feel emphatic, but rounded enough to read as friendly rather than aggressive. Its geometric, softly squared curves give it a contemporary, slightly playful character that suits energetic branding and attention-grabbing messaging.
The design appears intended to deliver maximum presence with a contemporary geometric flavor, using rounded-rectangle curves and uniform weight to create a strong, approachable display voice. The tall lowercase proportions and cohesive numeral style suggest an emphasis on modern branding and bold editorial titling rather than delicate text settings.
The rhythm is driven by wide, stable letterforms and tight interior spaces, producing a compact, high-impact color in text. Round letters like O/C/G lean toward squircle-like geometry, while straight-sided forms maintain a consistent softness at joins and terminals, keeping the set cohesive.